European Stars and Stripes (Newspaper) - June 20, 1991, Darmstadt, Hesse K1 it amp u the rhythms of Saint Paul Chart pop a singles 1. Rush Rush Paula Abdul. 2.1 Wanna sex you up a color me add 3. More than words extreme 4. Losing my religion . 5. Love is a wonderful thing Michael Bolton 6. Unbelievable emf 7. Power of love love Power Luther Vandross 8. Strike it up Black Box a 9.1 Don t Wanna cry Mariah Carey. 10. Right Here right now Jesus Jones top albums 1. Efil4zaggin a . A 2. Spellbound Paula Abdul a 3. Out of time . 4. Gonna make you sweat a amp a music factory 5. Time love and tenderness Michael Bolton 6. Mariah Carey a Mariah Carey. 7. Coolin at the playground Yak know another bad creation 8. No fences a Garth Brooks 9. New Jack City soundtrack. 10. Shake your Money maker a the Black crowds country singles 1. The Thunder Rolls Garth Brooks 2. If the Devil danced Joe Diffie. 3. We both walk a Lorrie Morgan 4. Don t Rock the Jukebox Alan Jackson 5. Point of Light Randy Travis. A a 6. One Hundred and two the judds 7. Meet in the Middle Diamond Rio 8. One More payment Clint Black 9. Lucky Moon a the Oak Ridge boys 10. In a different Light Doug Stoner amp by singles 1. Power of love love Power Luther Vandross 2. Miracle a Whitney Houston. 3. Don t go men Vogue. 4. How can i ease the pain Lisa Fischer 5. Emotionally yours o jays 6. With you Tony Terry 7. Do me right Guy 8 do what i gotta do a Ralph Tresvant 9. Exclusivity a Damian Dame 10. Motown Philly Boyz ii men jazz albums 1 Standard time vol. 2 intimacy calling Wynton Marsalis. 2.1 remember a Dianne Reeves a 3. Sarah dedicated to you Carmen Mcrae 4. Artistry a the Harper Brothers 5 you wont forget me a Shirley Horn. 6. Tribute a Keith Jarrett 7 Public Eye Roy Hargrove 8. Part Iii a Joey Defrancesco a 9. Alone with three giants Marcus Roberts 10. A lonesome thing a Frank morgans amps l. Emmett lots or. Paul Simon presents More than 20 years of his Folk and pop music. By l. Emmett Lewis or. Staff photographer the crowd tilling the Basin of the Stone Amphitheater at the Loreley saturday was subdued in spite of in a unusual warm break in what has been a Cool Spring even the response to the of Singer Rachel Morrison and her band Bliss seemed a Mere rehearsal for the real applause to come. A a i he More than 1 2,000 fans ranging in age from around 5 to the late 50s, were impatient to hear the kind of music that has bridged generations styles and. A continents a the music of Paul Simon. As lengthening evening shadows brought cooler air along Germany s Rhine River Valley the crowd warm with anticipation and chants of Quot Simon Simon anticipation soon changed to excitement As the fans stood to applaud a and remained standing for the entire concert a As onstage. Applause quickly turned to dancing in the aisles singing and Dapping As Simon swept the crowd through More than 20 years of his musical along with a percussion heavy 1 7- member band from All Over the world Simon Sang and strummed a diverse repertoire of Folk and pop music from his Days with Simon and Garfunkel and from his Solo career. But he wisely chose to rely heavily on proven favourites from his Graceland and pre Graceland music instead of on his less dynamic rhythm of the saints album. By presenting Only a few pieces of his recent work Simon constructed a memorable musical Bridge Over the troubled Waters of rhythm of the saints creating a concert Force within his tour of Europe. Leading off with obvious child one of the Best pieces from rhythm of the saints Simon got the crowd swaying to the song s almost train like drum rhythms. His understated but exquisite style quickly captivated the fans and moved them to join him in clapping hands Over their Heads to the Conga beat of boy in he Bubble. The Only piece1 that elicited a comparatively Cool response irom the crowd was Cool River another rhythm of the saints piece. With that exception the. Enthusiasm of the audience simply did t Stop. Be could almost see the1 sound Waves moving across the c Road the pulsing Waves of Bobbing he ids. Man and nature conspired to provide a perfect evening of entertainment in the haunting setting of the Amphitheater. Even a hazy Crescent Moon and a Lew stars seemed to take pre planned places just Over the Multi pointed peaks of the Canvas crowned stage. Providing a natural accent to the Rainbow c lots of the manmade Light show below. As Simon plied the crowd with variations of Kodachrome born at the right time ram m the distance she move s on me and Julio Down by the schoolyard and i know what i know the c Road bobbed and gyrated. A few Young children paused in their own dancing and explorations to gaze with some., apprehension at the curious sight of their parents. Clapping and taking turns at dancing in the aisles. As darkness fell hundreds of sparklers sputtered to life All Over the Amphitheater to the gospel like Harmony of Bridge Over troubled water. Simon began with the a a song s familiar Melody then bridged Oyer into an exciting new reggae variation. The midpoint of the concert was highlighted by the saxophone riffs of jazz musician Michael Brecker who joined Simon in the african and brazilian beats of sonic of his newer songs. The second half of the concert was devoted to. A p a favourites that have made the Simon sound so popular throughout the world Graceland a you can Call me at still crazy after All these years loves me like a Rock diamonds on the soles of tier shoes hearts and Bones late in the evening homeward bound the Boxer Ami Cecilia. Simon was sensitive to the crowd s enthusiasm repeating parts of the song you can Call me Al when the fans Sang along with thu song and roared for More. Paul Simon a Lour continues Check the Quot on stage Quot listing Lor tour dates june 20, 1991 stripes Magazine 9
