European Stars And Stripes (Newspaper) - April 13, 1968, Darmstadt, Hesse Meret Oppenheim s fur covered cup Saucer and spoon 1936 combines protest escapism. To 4" is Russ. Of a a off a 4i. " v by Abw a a j. A i a if a Alp a 1 f is 4?r of. " nil Dada surrealism and their heritage currently featured in new York at the museum of modern Art exhibits the origin of an Art movement which More Jhan anything else was an anti Art eruption born in Zurich in 1916, when poets and artists Cavor Ted in a combination of High spirits and despair amid she chaos of world War i. Smarting under International restraint Darla Isle needed an outlet for their creative energies. They found their working materials it trash baskets and junk Yards instead of in artist Supply shops and in Marble quarries. They expressed themselves in outrageous antics that defied every established Rule of order. Using photos paste and shears they flouted the literal world with absurd revelations of its make up. The Dada movement was followed in the 1920s by surrealism another expression that would give form to the chaos of Dada. But Dada never died. It not. Only fathered the surrealist movement it has now crossbred with virtually every other 20th-Cen Tury Art movement and has even introduced a new technique collage a weird springboard of expression in assembling things such As Driftwood junk or items found in attics. Whatever it is Dada ism the ancestor of today s happenings in the creative arts is Here to stay in All its grotesquely fantasy and incongruity whether you understand it or not. In Page 12 -. The jewish Angel a 1916 Oil on Canvas by Giorgio de Chirico. The stars and stripes " 1. The title of 1926 Oil by Ren. Magritte a dadaist who flouted accepted principles of order. Off a Wiz Yuzhi jct j. Sfi9la8sk3ayi?t i is % i be morning awakening"bl9 by Francis Picalia critics regard Albert g saturday a t. The Palac. A. 4 1932-331 on. Of in. Mol influential secures in 20lh-.twy or. 13, .68 the stars and stripes photos museum of Modem Art cold petting 1916 in plastic by Fernanda Arman. Page 13
