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Publication: European Stars and Stripes Monday, October 21, 1985

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   European Stars And Stripes (Newspaper) - October 21, 1985, Darmstadt, Hesse                                Monday. October 21, 1985 the stars and stripes Page 17 Stuttgart Greg Berezuk and Sally Mitchell in the actor s Nightmare. A scene during the performance of Dune Lawn by the Bremerhaven theater group. Original works were eligible or presentation. The performances wore immediately followed by critique sessions Between members of the cast and Crew and a panel of evaluators. The sessions were informal and emphasized constructive criticism and analysis. Along with the critiques the festival offered technical workshops in which participants received intensive training in various aspects of theater. These included classes on acting directing set design stage makeup unarmed stage fighting body language and voice. Despite the Long hours kept during the festival the Days began at 8 am my lasted until Well part Midnight participants agreed that it  time Well spent. According to t. Gratton Toels of rid Krou Inch. Who Rolu and directed Tho play Why to pc  Erma Bombeck Carlton Mcneil and Joanne Nelson in critical analysis written and directed by Heidelberg s Murdoch Martin. Seltzer or the search for the meaning of Ife i think it s Groat for a playwright to come Down and have his play put on and have someone who knows a lot about theater to criticize it. And i think it s worthwhile to look at other plays and compare what you re doing to what other communities Are  there was lots of learning going  added Heidelberg entertainment director Mary Alice Hodgson who taught a workshop on dire Ding and was one of the Evalu lors. There was excitement. Exposure to new materials and also sharing of common goals and common problems. While it was t a Competition people were Corning in and really doing their  the following plays were presented at the festival b Burc put War Damon he Rue Rei Taurand Rauw Holowc of Haj Ana i not a Dot  Durlin Laun Irv Iino Floi Ftp Lone s in Maun the Monkey  Heidelberg . Armies a  a1u�i.-j rat Karlsruhe Deil  Poud main Harp of 5 we 1 dil m of ,1 f i f7 i , i a of Ali he  . F i i ,.l of pc Hyrtl inf a t i no n a s pm of  a lot o parents complain that their kids a on give them straight answers. They a a the questions and they get Sil onco in return always got a straight answer but it was never the one i was looking for. Sweetheart would you like to joke Oul the garbage no thank  do you want to be the Only one at aunt Dodo s wedding in Bare toot wearing race by shorts yes " do you want your Mother to leave Home and never come Back let me put it this Way do you want a Little time to think about it yes to question one. No to question two " i explained to my son that raw honesty is one of the  overrated Virtues in the history of goodness i said. You have to refine it to make it  his be lit up you moan lire a it Quai v f to   question a asked they  if her Ono " something he  15�.m1  ibou1 taking Oul the garbage How about i keys to your cur what s that got to do with the Gar Bays t a ked i asked you to do  and i countered with something for you to do. We both have something the other one we a. Now. We Compromise like Tho politicians do " i explained to him that method was pretty obvious in the hands of amateurs. There Are ways to prolong a straight answer that somehow does t Coomi so. ,. So harsh i got  he said. You just buy a lit me time until you can Lay the truth on someone right. Now will you take out the garbage do you want me to do it new7" does it make any difference i snapped. Ifju Rufi f for ref or incr we it you Addor a Tarj you  me tu1 " Trion i Ronie .Erpd at jut  a Cpd to never asks a question that can to ring wired with i ye1. Or do he ask a How they fool about something or what  reaction is what Are your fee Hays about  out the Gar Bage i asked   when you think of helping your Mother describe your initial   finally. I shouted. Take out the Lousy garbage he said. Of. So Why did t you say so in the first place ice Jcj an of i Tinei Syndicate  
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