European Stars and Stripes (Newspaper) - February 04, 1993, Darmstadt, Hesse                                A Sailor barks a command during the Mutiny on the Potemkin. Prioto Courtesy of Deutscher film museum the masses gather in a scene from  Eisenstein s costumes for the 1921 planned production of a Good relation with horses by Vladimir mass which was never performed compared with Al Lisitzky s figurine designs for the electromechanical production of Victory Over the Sun 1923. Eisenstein s costume designs for Shakespeare s Macbeth compared with Vesnin s costume designs for the tidings brought to Mary by Paul Claudel and Jean Racine s Phaedra both performed in 1922, and Alexandra Exter s costume designs for Oscar Wilde s satomdin1917. Eisenstein s stage designs for Macbeth puss in boots by Ludwig Tieck and Heartbreak House by George Bernard Shaw from 1921 to 1922, compared with stage designs by Vesnin and Liubov Popova for Shakespeare s Romeo and Juliet from 1920 to 1921 and architecture fast facts what Sergei Eisenstein in context with the russian Avant Garde where Frankfurt s film museum when through feb. 28. The exhibit is open daily tuesday through sunday from 10 . To 5 . And wednesday from 10 . To 8 . How much three Marks for adults about $1.901.50 Marks for students and children about 95 cents. The Catalon available Only in German costs 28 Marks about $18. A woman carries her dead child in  designs by Vesnin and Alexander Radtchenko of 1921 and 1922. Eisenstein s costume designs for the child steal or by d. Ennery Heartbreak House and the inheritance compared with stage sets and costume designs by Popova Vesnin and Radtchenko from the period Between 1920 and 1923. In the third exhibition area Are Eisenstein s 1923 production of Alexander Ostroski s Ven the smartest make a mistake at the  in Moscow. The influence of slapstick circus and variety theater on film and theater. Large photographs of the productions. Various photographs of scenes from the productions. A Monitor showing Eisenstein s first Short film Clumon s diary. Eisenstein s theory montage of attractions As a leaflet. Photographs of various theater productions in Moscow Heaters that include slapstick and circus elements from 1920 to 1924. Photographs from the lost 1924 film the adventures of the Octyabrina by Grigory Kozin Tosev and Leonid Trauberg. Charlie Chaplin a proposed illustration by Varvara Stepanova for the Magazine Kino Fot to 1922. A Monitor showing Short extracts from the film by lev Kuleshow the adventures of or. West in the land of the bolsheviks 1924. The fourth exhibition area shows the influence of theater and Art on Eisenstein s filmsfrdteinl925. Play equipment used in theater and film a Monitor shows the sequence Lumpe proletarians from the film strike. Photographs from the film strike show play equipment such As a Seesaw and wheelbarrow compared with photographs of game objects from the 1922 production of Stepfon ova s Tarelkin s death by a. Suchovy Kobylin. Typography and fade techniques a Monitor shows fade Over techniques with people and animals police spies compared with the photo montages used by Radtchenko on May Kovski s poem about that in 1923 and double exposures by Al Lisitzky from 1923. Photographs from Fri Hejrat show workers and capitalists. The photographs by Radtchenko and sketches by Gustav Klucis Are contrasted with each other. Biomechanics arid multiple cd stages photographs from strike Are compared with photographs from the 1923 Vsevolod Meyer hold s production of the magnanimous cuckold by Fernand Crommelynck and biomechanical exercises from the Meyer hold workshop. A Monitor shows the theatrical use of various Levels. Of the stage used  film strike compared Voit photographs from the Man who was thursday by . Chesterton and Crommelynck s the magnanimous cuckold of 1923. The wheel a Monitor shows sequences of turning wheels from strike compared with dynamic composite illustrations by Popova and Vesnin from 1921 and-1922. Another Monitor shows a reconstructed production of the magnanimous cuckold. The factory two monitors show a factory As film Sites and scenes from strike and Dziga Vertkov s film the eleventh year from 1928